Overoth Release New Video ‘God Of Delusion’ From Their Critically Acclaimed Album ‘The Forgotten Tome’ Out Now Via Hostile Media

Northern Ireland based  Death metal band Overoth have released their new video ‘God of Delusion’, which is from the bands recently released and critically acclaimed album ‘The Forgotten Tome’.

The new album boasts ten tracks and over 40 minutes of extreme metal laden with orchestration and artwork from none other than Will Simpson (Game Of Thrones, DC Comics), the quartet’s forthcoming grand opus entitled The Forgotten Tome was released on September 22nd via Hostile Media.

The band comments, “We had been working on this album for what seems like an aeon, but finally, we’re pleased to announce that our hard work and determination for perfection has come to a close.

We actually tracked the drums, guitars and vocals for this album around two years ago, and we had planned to add some subtle orchestration as we had done in our debut ‘Kingdom Of  Shadows’… however… when Dan (guitars) got started, the songs yearned for much more than we had anticipated. It would be further months of writing, from violins to piano, to the use of ancient instruments like the duduk and ney flute and then back and forwards with mixing… it would appear mixing twenty instruments isn’t all that easy!

We also had a grand vision for the artwork (see below) and working with a talent such as Will Simpson was a great experience, he really did bring our vision to life. The artwork is a story in itself, with multiple pieces all intertwined. There is more than what the cover art depicts, but we’ll reveal all that at some point in the very near future. Finally, The Forgotten Tome is complete and we are set to unleash the beast into the world this September.”

“Lyrically, for the most part, this collection of tales at a first glance would appear fantasy based, with fables of war and magic, good and evil, but actually there is a more human narrative underlying each song. We have our own interpretation of these stories, and we hope that people can find it or come up with some other moral of their own.”

We recently reviewed the album and gave it a perfect 10/10 rating. It’s easily one of the best releases of 2017 and in our opinion, an absolute masterpiece!  

Catch Overoth live on their forthcoming tour! 

Buy ‘The Forgotten Tome’: http://overoth.bandcamp.com/

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The Black Dahlia Murder Release New Critically Acclaimed Album ‘Nightbringers’ Stream Full Album Within Via Metal Blade

Death metal legends The Black Dahlia Murder have just released their critically acclaimed album ‘Nightbringers’. 

After multiple listens, I have to say this is arguably the bands best work to date! 

Don’t take my word for it though, we have the full album stream here for you to make up your own mind.  

Easily one of the best albums released this year! 

9.5/10

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Pittsburgh Based ‘Signs Of The Swarms’ Release New Lyric Video ‘Final Phase’ From Their Forthcoming Album “The Disfigurement of Existence” Released November 3rd via Unique Leader Records

We proudly present to you our brand new song entitled “Final Phase” featuring the legendary Dickie Allen of Infant Annihilator! Released exclusively through SLAM WORLDWIDE! This is our second single off our upcoming album entitled “The Disfigurement of Existence” out November 3rd via Unique Leader Records! Preorders are available NOW via IndieMerchstore!

PREORDER HERE: https://www.indiemerchstore.com/b/signs-of-the-swarm

Facebook: https://www.facebook.com/signsoftheswarm/

THE KENNEDY VEIL: Release ‘Godslaughter’ From Brutalising Californian Death Metal Unit; ‘Imperium’ Preorders Available Now

Imperium is the impending new full-length from brutalising California death metal unit THE KENNEDY VEIL. Slated to drop on October 20th via Unique Leader Records, the eight-track offering was produced, mixed, and mastered by Zack Ohren (Animosity, Suffocation, All Shall Perish et al) at Castle Ultimate Productions, features guest appearances by Trevor Strnad of The Black Dahlia Murder, Sven de Caluwé of Aborted, and Dickie Allen of Infant Annihilator, and comes swathed in the cover art of Robert Cook.

Issues the band, “The opening lyric of ‘Godslaughter’ simply states, ‘reclaim death.’ To us, it is a statement of remaining true to what the genre was built from, while still bringing our own ideas of modern death metal into the fold. From blast beats to slow, heavy parts, ‘Godslaughter’ has something that we think all fans of the genre can sink their teeth into.”

Preorder Imperium at THIS LOCATION. For digital orders visit THIS LOCATION.

The occult has been a construct within civilizations all over the world, varying in degree and modernity, but always present. Each individual culture derives its occultism from the dark myths that permeate within its subconscious hive mind. America as a culture  — as an experiment — has been volatile since day one. Plagued by a history of genocide, slavery, and corruption, its burgeoning occult is in its fragile yet violent infancy. Imperium highlights themes of this encapsulation: That is, fear, myth, despair, and humanity’s inclination toward utter corruption.

Taking influence from a purer, more ancient evil of European descent, THE KENNEDY VEIL has incorporated symphonic, blackened themes that parallel the lyrical aesthetic. Moving one step away from the more technical side and two steps into a deeper, darker, more blackened aggression. “The world of metal has become flooded with your quintessential ‘tech’ bands,” says drummer Gabe Seeber. “It seems to me that many metal bands of today put so much focus on cramming as many notes as possible into songs, and playing the most difficult riffs with less focus on song structures as a whole. Without taking anything away from the obvious creativity and talent of today’s generation of death metallers, we in THE KENNEDY VEIL are aiming to harken back to a more primal and aggressive form of the genre.”

THE KENNEDY VEIL 2017 features new recruits, bassist Tyler Hawkins and vocalist Monte Bernard. “Lyrically, I drew from the current culture of our nation’s short but bloody history,” Barnard notes. “In such a short time, this political experiment has not only uncovered, but proudly enacted some of mankind’s most hideous acts. This album draws from these events, highlighting a theme of universal evil hiding under the surface of all races, cultures, and peoples.”

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Norwegian Progressive Black Metal Legends ‘Enslaved’ Release New Video ‘The River’s Mouth’ In Promotion Of Their Forthcoming Album ‘E’ Via Nuclear Blast Records

Enslaved have just released a brand new video ‘The River’s Mouth’ in promotion of their forthcoming album “E”. 

They released this statement. 

 One week before the release of “E”, we present you today “The River’s Mouth”. The theme here is your relationship with the “future”, as we describe it: the sensation of time moving along is a construction of our brains – physics claims all time to already have been “rolled out”. The future would be, speaking in tabloid; a piece of land we just haven’t arrived at yet… But it is already here! The song is about acting in tandem with your future self which already arrived at this “future island” – do not sit and wait, make sure you lay the ground for what is to happen in the future, now! Second video created by Josh Graham. We hope you’ll enjoy it! Stream and purchase: http://nblast.de/EnslavedDigital

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HAEMORRHAGE: We Are The Gore LP Streaming In Its Entirety; Album Out Now Via Relapse Records

Spanish goregrind experts HAEMORRHAGE today unveil the bloodsoaked wares of their seventh LP, We Are The Gore, released worldwide today via Relapse Records. Commemorating the slaughter, fans can now stream We Are The Gore on in its vicious entirety.

HAEMORRHAGE spews forth their most ferociously (de)composed album to date with We Are The Gore. Embalmed at Mpire Studio in Madrid by Alfredo and Javi Ustara and mastered by Brad Boatright (Obituary, Nails, Skinless), We Are The Gore embodies fourteen tracks and thirty-five blood-soaked minutes of pathological gore, ideal for listening to in mortuaries and mausoleums. With numerous guest appearances from current and former members of Carcass, Impaled, Dead Infection, Ghoul, Gruesome Stuff Relish and others, HAEMORRHAGE takes their nauseating blend of scalpel-sharp riffs, triple threat guttural vocals, and bone-scraping rhythms to a new extreme. One listen to We Are The Gore will leave you soaked in buckets of bile and feeling like a freshly made cadaver.

Facebook: https://www.facebook.com/HaemorrhageGore/